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adalah seorang penulis besar yang berpengaruh, seorang jurnalis dan sastrawan.

Ia mempelajari psikologi di Universitas Indonesia, mempelajari ilmu politik di Belgia dan menjadi Nieman Fellow di Harvard University, Amerika Serikat.

The wayangs’ ‘lives’ are a perpetual encounter with the Strange.

Ia menulis sejak berusia 17 tahun, dan dua tahun kemudian menerjemahkan puisi penyair wanita Amerika, Emily Dickinson.

The flat puppets, each is created in a highly stylized and unfamiliar form, suggests not a representation of ‘reality’ as depicted by a Renaissance work of art.

The wayangs are an open invitation to a realm where the human subject does not put him/herself in control.

In the Javanese puppets theatre, this is underlined by the shifting personas of the wayang characters.

Their identities (‘names’) are often related to a particular situation they are in — incidentally reminding us that a permanent identity is a modern state’s way of comprehending the human.

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His tireless fight for freedom of expression has led to the foundation of several new media organisations and made the Indonesian press one of the most free in South Asia.

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